Five posts that caught my eye this week:
How to be Urban… in 2030: The Economist looks at the six competing architectural projects for Audi’s Urban Future Award. Competitors produced projects with a vision for 2030. (The Economist)
- Where do city leaders go to learn from each other? Academia has Conferences, Social Media has PodCamps. This article looks at why it is increasingly important for city leaders to learn from each other and why it’s important. (The Global Urbanist)
- Keynote: The Urbanist: An interview with architect Witold Rybczynski on why city planners should head Daniel Burn ham’s maxim “Make no big plans, only small ones” and many other topics. (Urbanite Baltimore)
- Will Folding in the Historic Preservation Commission with the Downtown Development Office Spell Architectural Doom for Phoenix? Phoenix New Times columnist Robrt Pela takes a critical look at the decision to demolish the historic Sahara Motor Hotel in downtown Phoenix, in the context of the City’s desire to merge its Development Service and Historic Preservation Office. (Phoenix New Times)
- Highways Didn’t Kill Small Towns. People Did. A second look at the conventional wisdom that freeways kill small towns. (Walkable DFW)
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- Genius Loci and Adaptive Reuse (yuriartibise.com)
- The top ten least bohemian cities (trueslant.com)
- Moving The City Around The People (andrewsullivan.theatlantic.com)
Recently, I’ve explored the concept of genius loci. I started with a look at the theoretical underpinnings of the concept. Next I looked at genius loci in practice. Today, I would like to look at a concrete example of how genius loci is being preserved and enhanced in Phoenix.
One concrete area where the City of Phoenix has made some baby steps in promoting authentic urbanism is with their adaptive reuse policy. The concept of adaptive reuse grows directly from genius loci. Before the days of cookie cutter developments often designed in corporate offices thousands of miles away, buildings were designed by local architects and builders who became deeply familiar with the site that there were building on. As well, often the original owners of these building were local business people who were familiar with the history and nature of the site. As such, most historic buildings are, at the very least, sympathetic to their site, and in many cases have become an integral part of their location.
When the original use of a structure changes or is no longer required, as with older buildings from the industrial revolution, architects can change the primary function of the structure, while retaining some of the existing architectural details that make the building unique. In many cities, adaptive reuse has come to define the character of many neighborhoods, and in some instances, creates neighborhoods where none existed before.
While Phoenix is late to the game, having lost the majority of our original buildings in the downtown core, in one of their more lucid moments, Phoenix City Council passed one of the nation’s most advanced adaptive reuse ordinances. The program is far from exhaustive, however, as, even the City continues to tear down buildings with importance cultural and historic significance but it is a step on the right direction and an important part of preservation what little ‘genius loci the city has left. In total, the program has supported 30 total adaptive reuse projects in the past 18 months, although a few of them did not proceed past plan review due to the economy.
One example of adaptive reuse that will be familiar to many Phoenicians is modifying an older building structure for use as a restaurant or bar. Notable examples include Tuck Shop, The Lost Leaf, The Roosevelt (pictured above), Paisley Town, Hula’s Modern Tiki, The Vig, Postino, The Parlor (pictured at right), St. Francis and the recently opened Duce.
Such projects help impart spirit of place in two main ways. First, they help keep the existing ‘spirit of place’ by building on what is already there. Second their use as new, and often unique businesses add a new level of genius loci to their neighborhood, in a way simply not possible with the ubiquitous series of cookie cutter chain restaurants. As Peter Koliopoulos, the designer of The Vig Uptown has noted, this new wave of adaptive reuse projects is just the beginning of Phoenix becoming a real city with it’s own identity and character instead of an anonymous series of chain restaurants and big-box stores.
What is your favorite example of adaptive reuse in Phoenix or your hometown (restaurants or otherwise)?
Related articles by Zemanta
- What is Genius Loci? (yuriartibise.com)
- Genius Loci in Practice (yuriartibise.com)
Originally published in the Downtown Phoenix Journal on September 22, 2009. All photos from Grand Avenue Festival.
It‚Äôs a common refrain in the Valley that we have “no history.” This perceived lack of lineage has been used to justify the demolition of countless commercial and residential buildings, even entire neighborhoods. One area that has largely been spared from the wrath of the wrecking ball is Lower Grand Avenue, stretching¬† from Van Buren Street to the I-10 freeway overpass.
Beneath its sometimes gritty façade, Grand Avenue has a long and storied past. Since the mid-1990s, this history has been dusted as many buildings are reverting from industrial uses back to the original small retail and offices that once lined this important connector to Wickenburg, Las Vegas and Los Angeles. An important factor in this renaissance has been the many innovative commercial adaptive use projects in the neighborhood. New owners have preserved parts of the existing vintage structures while making necessary concessions to the realities of modern life. The result is a varied collection of shops, galleries, cafés and living spaces scattered throughout the neighborhood.
Iconic urbanist Jane Jacobs famously said, “New ideas must use old building.” This adage is well exemplified along Lower Grand. The adaptive use of older commercial buildings has been an important factor in nurturing the small business community, particularly the arts. Many small, entrepreneurial businesses are attracted to the funky storefronts, affordable studio spaces and overall neighborhood character. Several of the gallery spaces have passed from artist to artist over the years, maintaining the affordability and fostering a new generation of creative minds.
On September 26, a handful of these adaptive reuse projects will be highlighted during the Grand Avenue Festival. During the morning, tours of six buildings are scheduled as part of the day’s many festivities. Tour stops include the following:
Tilt Gallery: This house, on the southeast corner of 10th Avenue and Fillmore Street in the Oakland-University Park neighborhood, was built in 1905. It was built of cast concrete blocks, fabricated from molds to resemble quarry stones. It was converted to an art studio and photography gallery in 2005. The current tenants Michelle and Melanie Craven contributed substantial sweat equity towards renovating the building, including stripping and refurbishing the hardwood floors, installing slate flooring in the rear of the gallery and planting desert-friendly plants in the previously all-dirt yard. Today, Tilt Gallery is a contemporary fine art gallery specializing in historical to alternative photographic processes and mixed media projects. The gallery features local, national and international works by emerging and established artist.
Jordre Studio: This small commercial building, at 1007 W. Grand Avenue, was originally built as a corner grocery in 1928. A year later, it was operating as both J.B. Johns Grocery and R.L. Mercer Meats. Local artist Kyle Jordre purchased this newly renovated building in 2006, originally constructed of lathe and stucco with a corrugated tin roof, and now uses it as a studio to produce abstract work that includes rich, colorful fields of paint with vibrant, bold textures.
Paisley Violin and Paisley Town: This commercial building, one of the few along Grand Avenue with a partial basement, was purchased by Derrick and Gina Suarez in 2004, who relocated their successful Paisley Violin Café there from its former site at Roosevelt and 3rd streets. Standing since 1925, this brick building is the very definition of adaptive use, serving as a grocer, furniture store, tamale vendor, radio repair facility, amusement sales and finally a veterinarian before its current incarnation as a café.
In 2007 the couple relocated six small World War II cottages to the backyard of the premises. They have converted them to colorful small business venues that house a hair salon, ceramic artist, vintage boutique, yoga studio and contemporary clothing boutique, with a florist on the way.
Motley Design Group: This modest building was constructed in 1957 as a transmission repair shop and was later used as a warehouse and workshop. In 2008, it was rehabilitated as an architecture and engineering studio for Motley Design Group, best known for its work in historic preservation planning and design.
Rehbein Grocery: Located on the corner of McKinley Street and Grand Avenue, the Rehbein Grocery is an excellent example of an early 20th century strip commercial building. It is one of the best remaining two-story brick strip commercial buildings in Phoenix. The building was listed on the National Register of Historic Places in 1985. Today, the space is home to Shop Devious and Lodge Art Studio.
Bragg’s Pie Factory: This historic 1947 cast-in-place concrete building at 1301 W. Grand Ave was originally built by Alan Bragg and his wife, Elaine, for their expanding family pie business (formerly on Van Buren Street close to the state capitol). The building reflects an international style of modern architecture popular at the time (with few remaining examples left in Phoenix). The main, 4,500-sq.-ft. room in the 15,000-sq.-ft. building is capped by a beautiful steel bow truss roof. It is now home to Sapna Caf√© and several offices and studios, including Modern Cat, Barry Sparkman Studio and Studio 8.
Tickets are $10 per person and can be purchased by calling Beatrice Moore at (602) 391.4016 or by visiting the festival website at www.grandavenuefestivalaz.com. Tour times are 8 a.m., 9:30 a.m. and 11 am and leave from Tilt Gallery at 919 W. Fillmore St. Tickets will also be available on the day of the event at Sapna Caf√©, 1301 W. Grand Avenue. Proceeds from ticket sales for the guided walking tours will go to the Grand Avenue Merchants’ Association.
Originally published in the Downtown Phoenix Journal on September14, 2009. All photos by me.
If you enjoy living, working or playing in Downtown Phoenix, chances are you owe a thank you to the Downtown Voices Coalition (DVC). Formed as a result of a 2004 summit of Downtown stakeholders, the coalition has been working behind the scenes to ensure the continued growth of the core based upon existing local resources.
Coalition members are unabashedly dedicated to supporting the local, independent business owner over the big-box developer or out-of-town corporation. They are strong advocates for existing Downtown neighborhoods and residents, the arts community and the unique historic properties throughout Downtown Phoenix. These are interests that DVC feels have been lost in the rush to redevelop the core. In the words of Steve Weiss, Chair of DVC, “If not us, then whom?”



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