Friday 5: What I've been reading over the past week

Here’s this week’s selection of the best articles I’ve read over the past seven days.

  • Mixier Use. Nate Berg of Planetizen looks at mixed-use projects and decides that they could be even ‘mixier.”  He concludes that limiting our developments to a mix of two or three uses may not enough to create more active places.
 Friday 5: What I've been reading over the past week
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Urban Breakfast – December 12

As part of my continuing quest to ‘activate’ downtown Phoenix, I want to invite you to my next THERE-apy event: The Urban Breakfast.

When: Saturday, December 12, 9am – 11am

Where: Phoenix Civic Space Park

Why: To celebrate public spaces and gatherings in downtown Phoenix. To activate urban spaces at otherwise quiet times.

What: Come and join a group of downtown enthusiasts for breakfast, bring FRIENDS, coffee, pastries, fruit, cereal, etc to enjoy and share with others in an urban environment. As the Civic Space already has tables and chairs, we won’t need them for the first event, but feel free to bring table clothes, centerpieces, etc to add a festive atmosphere to the event.

haeferlogo Urban Breakfast   December 12This event is inspired by a European based movement, translated as “Permanent Breakfast” http://www.permanentbreakfast.org. Permanent breakfast is a ‘continuous social experiment’ executable by anyone, anywhere. The original concept is that one person invites someone to breakfast. The invited persons (usually 4) commit themselves to invite to a public breakfast on the next possible date. And so on…

The idea was first conceived in 1996 by the Austrian artist Friedemann Derschmidt. His basic idea was to bring people together to have breakfast in public spaces that are not necessarily obvious picnic spots, thereby modifying the way we think of these spaces as well as stimulating social interaction in them.  Over the past two plus decades, the idea has spread to 25 different countries and hundreds of cities, resulting in thousands of events around the world.The ‘Urban Breakfast’ event is an adaptation of this concept to Phoenix.  My vision is to have, at least one breakfast  each month, each in a different public place. There are a lot of underutilized park spaces, as well as empty lots, parking lots, and other publicly accessible spaces around downtown that we can explore together, and meet each other’s friends and families along the way.

breakfast 300x296 Urban Breakfast   December 12

Images from Permanent Breaksfasts in other countries

One of the goals of this event is to help rethink our relationship with public spaces throughout downtown Phoenix.  Over the past five years the downtown core has seen much revitalization with new buildings and businesses being created.  However, much of this vitality is occurring behind closed doors in restaurants, businesses and classrooms.  For the most part, the public sphere in downtown Phoenix is neglected.  An obvious exception to this is Civic Space Park, which has become THE main public space in central Phoenix.   Alas, outside some city and ASU organized events only a few other groups have taken advantage of the space.  This is why I’m holding the inaugural Urban Breakfast here—to illustrate how the park can be used for different events at different times of day.

Part of the philosophy behind Permanent Breakfast and my adaptation is the fact that public space undergoes vital visible changes when events taking place. Just by being present the participants become their own medium for change.  They  begin to communicate with their surroundings and transforming empty spaces into vital urban places.  The participants shape these situations themselves and, by seeing the space from a different perspective, become aware towards both the use and the usability of the public place.  The ultimate goal is for each of us to feel encouraged to use our own creativity to occupy new spaces and different spaces in a meaningful way.

If you are interested in joining us, feel free to RSVP and connect with other breakfasters on Facebook.

 Urban Breakfast   December 12
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Five Facts About the Most Important Woman You Don’t Know

From: Jane’s Walk Phoenix.

I came across this fact sheet on Jane Jacobs on Amazon.com:

5 FACTS ABOUT THE MOST IMPORTANT WOMAN YOU DON’T KNOW
Legendary urbanist, thinker, writer, and activist Jane Jacobs

“Jacobs was a woman of infinite humility, compassion, warmth and generosity of spirit. She reveled in challenging conversation with thoughtful people, listened carefully to citizen testimony at public hearings, never resisted the opportunity to stand up to power and wished only for people to continue the dialogue she started, not duplicate her words… Jacobs’s thought and writing comprise a resounding symphony of lessons and ideas; they compose a life’s work about economic, social and environmental justice.”

—The Nation

jane jacobs2 Five Facts About the Most Important Woman You Don’t Know

  1. Jane Jacobs, with no college degree, and never formally educated or professionally trained in urban planning, came to be the most famous urban planning critic and commentator of the 20th century.
  2. At a time when women were not involved in urban planning or government, as a young upstart journalist, Jacobs faced down legendary titan Robert Moses and successfully blocked his plans to destroy entire sections of Manhattan with massive highways.
  3. Her 1961 seminal work Death and Life of Great American Cities proposed radically new principles for rebuilding cities. At a time when common wisdom called for bulldozing slums and opening up city space, Jacobs’s prescription was ever more diversity, density and dynamism. Her book has been credited with reaching beyond planning issues to influence the spirit of the times.
  4. Critics used adjectives like “triumphant” and “seminal” to describe Death and Life of Great American Cities. Wolf Von Eckardt, writing in The Washington Post, observed that it has “proved more important than all the statistical studies of all our myriad urban centers.”
  5. Jacobs was a community organization pioneer: she organized massive grass-roots efforts to block urban-renewal projects that would have destroyed local neighborhoods. She inspired countless individuals and established the importance of citizen participation in community design.

In 1968, Jacobs was arrested on charges of second-degree riot and criminal mischief for disrupting a public meeting about the construction of a 10-lane elevated expressway, which would have sliced across Lower Manhattan and displaced thousands of families and businesses. The charges were dropped, and the expressway never got built.

 Five Facts About the Most Important Woman You Don’t Know
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DPJ Article: The Man Behind the Mural—Roy Sproule and the Valley Youth Theater Mural

Originally published in the Downtown Phoenix Journal on December 4, 2009.

Amidst the new construction, public art projects and restaurant openings throughout Downtown Phoenix, one local artist made a big impact with little more than a brush, some paint and a desire to create. Spanning across the 69- by 11-foot north wall of Valley Youth Theater’s corporate office is a new mural created by Roy Frank Sproule III, a 27-year-old avionics technician stationed at Luke Air Force Base.

cimg1269 1 DPJ Article: The Man Behind the Mural—Roy Sproule and the Valley Youth Theater Mural
Photograph by Yuri Artibise

Roy says he didn’t find the wall, rather the wall found him. It was during a June 2007 First Friday when he happened across the wall at 807 N. 3rd St., just south of Garfield Street (across the street from Bunky Boutique and the Roosevelt Tavern). While he had only assisted in painting large-scale murals, he was looking for an opportunity to create his own piece in a visible setting.

“There are just some things you can’t do in small spaces,” he says. “Large images have a different effect on people.” When he came across the empty wall on the high-traffic street, Roy knew it was “just right” for a mural. He went home that night and spent the next six months putting together a portfolio.

In December 2007, Roy returned to the building and knocked on the door. At the time, he didn’t even know who owned the building, just that it would be a great opportunity for him to establish himself as a muralist in Phoenix. After meeting with the Valley Youth Theater staff, he ended up talking with Producing Artistic Director Bobb Cooper. Bobb was enthusiastic about the idea, especially after learning that Roy would donate the project to help build his portfolio.

Roy was given images of 20 years of Valley Youth Theater performances to work with. The photographs included images of the theater’s famous alumni, such as singer Jordin Sparks and actress Emma Stone, and popular children’s story characters like the cowardly lion in The Wizard of Oz. Using these pictures, he made a collage of over 50 photographs to fill the 759-square-foot wall. Once the Valley Youth Theater approved his design, Roy used perforated patterns created in Photoshop to aid him in outlining the shapes with charcoal dust (pounce), a technique used by Renaissance fresco painters.

 DPJ Article: The Man Behind the Mural—Roy Sproule and the Valley Youth Theater Mural
Photograph by Jeffrey Lowman/azcentral.com

He started to paint in March 2008 and donated immense amounts of his time and money to the project. Roy spent up to 40 hours a week of his free time at the site over 17 months. He often worked well into the evening, and to avoid the summer heat he pulled several all-nighters. This was all while working full time at Luke Air Force Base. In total, Roy estimates that he spent at least 2,000 hours of his personal time and $1,000 of his own savings purchasing brushes and 16+ gallons of industrial paint for the mural.

Despite the fact that painting the mural basically equaled working another job for a year-and-a-half, Roy doesn’t think it of as anything extraordinary.

“People give 110% of themselves all the time,” reminds Roy, whether it be managing work and family, working two jobs to make ends meet or having a day job to pay the bills and an evening passion to feed the soul. In Roy’s case, his job with the Air Force provided him with the financial base and stability that enabled him to paint the mural.

Roy believes there are two types of artists: those who create for themselves and those who create for the community. Murals should tell a story. While he views the Valley Youth Theater mural as more of a collage, his ultimate goal is to speak through his murals and to create compositions that tell a story.

“If you are not saying anything, you are just decorating,” he says. To this end, Roy viewed his relationship with the theater as a partnership. In return for the opportunity to hone his skills, Roy wanted to help them. He was able to do this with the mural; it will help raise awareness of the theater and the professional level of productions they put on each season.

Throughout the process, Roy progressed not only as an artist, but also as a community member. He formed long-lasting connections to both the places and people of Downtown Phoenix. After a being at the site for 17 months, sometimes for as long as 36 hours at a time, Roy gained a new appreciation for Downtown Phoenix. He saw the city core at its best and worst — vibrant sunsets and sunrises; hot summer evenings and crisp winter mornings; the desolation of quiet Sundays and the frantic energy of First Fridays. Seeing Phoenix from these different perspectives helped him think about the colors and techniques he used differently.

Moreover, Roy was able to meet and become friends with many of the local residents and business owners as he painted. While Roy has always liked being in Downtown Phoenix, his experience with the mural made it feel like home. He enjoys the welcoming, inclusive nature of the artists and gallery owners in the neighborhood. He says, “Roosevelt Row is like family to me,” noting that he met and became friends with more people in the year-and-a-half he spent painting the mural than the 13 years he spent growing up in his hometown.

In addition, Roy feels that Downtown Phoenix provided him with a lot of opportunity, which has allowed him to develop naturally as an artist. He is not forced to chase opportunities and choose things that aren’t a good fit, as in other cities.

“You can be an artist anywhere,” says Roy, but there is something special about Downtown Phoenix. “Being here makes a world of difference.”

Roy is looking for another opportunity to paint a large-scale mural. His dream is to paint the largest mural in the city, preferably on a high rise. Given his talent and determination, there is no doubt it will happen one day.

The Valley Youth Theater is located at 525 N. 1st St. in Evans Churchill, a few blocks from the corporate office where the mural is displayed. For more information, call 602.253.8188.

 DPJ Article: The Man Behind the Mural—Roy Sproule and the Valley Youth Theater Mural
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Friday 5: What I’ve found interesting during the past week

Five of the best articles and blog posts I’ve read over the past week.

  • Curing Sprawlitis. How to fix fixing 50 years of urban sprawl. Provided a good overview of the policies that led us to our current situation, and recommendations only how to return to a more rational urban form. While the recommendations are directed at Lansing, MI, they will help to ‘cure’ any sprawling metropolis, including Phoenix.
    brussels downtownsquare2 Friday 5: What I’ve found interesting during the past week

    Retail Districts for Creatives. Image from Cooltown Studios.

  • The Opposite May Be True. A short, but intriguing video of ‘opposites’ and how much cultural assumptions guide our underdatnding of the world, even though the opposite may also be just as true.
  • Retail district types for creatives. An interesting discussion on the differing retail preferences of the ‘creative class’.  Summary: more corner stores and neighborhood centers and less big boxes and regional centers (aka malls)
  • What’s wrong with Dubai? An investigation into the design flaws that are plaguing Dubai. The key take away (that is also applicable to Phoenix): “All that Arab culture learned in a thousand years about adapting cities to great heat—high-ceilinged buildings along narrow streets which provide shade and short distances to walk outside—have been forgotten or ignored.”
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First Friday Folly

Another First Friday is upon us. What started out over 15 years ago as a way to bring people back to downtown, has turned into the largest event of its type in the country. Each month, over 100 venues open their doors and over 20,000 people converge on downtown. By any accounts it is a success. But this success has come at the price of a truly vibrant downtown.

If Phoenix wants to have a 24-7 downtown, with activity going every night of the week, we need to get out of the “let’s have an event on First Friday” mentality. I have no problem with the walk or small gallery openings, and I admit that First Fridays are a great way to get walk by traffic It is the slew of other events that could be held any night of the month and still draw an audience that I’m talking about. Does the Phoenix Art Museum really need to host its 50th Anniversary Party tonight?  Or the Latino Cultural Center Grand Opening? Or the All Hands on Deck finale at After Hours Gallery? I would love to attend each of these great events, and would gladly have done so if they were held on any other night of the month.  I’m sure there are  hundreds of other people who would have as well.

1493392699 189958b011 First Friday Folly

Flickr image by labanex.com

So why hold event such as these on First Fridays? These events will draw their own audiences regardless of when they are held. Holding them tonight only dilute the audiences for other smaller galleries and openings that also deserve our attention. Moreover, the gaggle of events on First Friday mean that they will be other nights throughout each month when downtown will continue to fade to black after the offices close and classes end.

I’m not blaming the event organizers, per se. After all they are playing by the informal rules established by over a decade of habit. There once was a time that the only day a month that many people would dare venture into downtown Phoenix after dark was with the crowds that formed on First Fridays. Over the past several years, however, this has changed.  Downtown is now a safe place any night of the week. The only thing missing are things to do other than catch a game, eat out or grab a pint.

Downtown Phoenix has enough activities to keep it going strong almost every night of the week. The problem is they are all clumped together on a select few nights a month. To be a truly vibrant downtown, these events need to start occurring throughout the month.

To be sure, things are changing slowly. As an example, SideBar’s 1st Anniversary Party held this past Wednesday was a huge success.  Hundreds of people proved that they are willing to venture out in the middle of the week to attend an event. Sure SideBar could have waited until tonight for the party, but they didn’t need to. This allowed people to enjoy downtown Phoenix on a weeknight freeing their First Friday for the hundreds of other events going on. In addition, many of those in attendance stopped by other downtown establishments for dinner before hand, or drinks afterward, bringing customers to the central core on an otherwise quiet night for most businesses. Events like this is a small but important step towards a vibrant downtown more than one day a month.

Next time you want to hold an event—and are thinking of doing so on a First Friday—ask yourself if it could be held on another night of the month. And if you normally only venture downtown for First Fridays keep an eye open for other events going on throughout the month. It is only by overcoming Phoenix’s First Friday folly that we will achieve a truly vibrant downtown.

 First Friday Folly
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The Future According to Robert Crumb

Third in a three part series (Parts 1 and 2)

In 1988, after the popular, but depressing 12-panel “A Short History of America” series went out of print, Robert Crumb added three panels to answer the “What next?” question posed in his original final 12th panel.

In these 3 panels Crumb depicts three possible futures:

  1. “Worst Case Scenario: Ecological Disaster
  2. “The FUN Future: Techno fix on the march!”
  3. “The Ecotopian Solution.”

r crumb The Future According to Robert Crumb

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The Present America?

(Second in a three post series (Parts 1 and 3)

A few years ago, the producer and host of one of my favorite urban podcasts, Duncan Crary commissioned artist, Ken Avidor to do a panel representing the same intersection Robert Crumb depicted in his ‘A Short History of America‘ series as it would look today, nearly 30 years after the last panel in the original series.

Here’s what came up with.  (Note the drive through only fast-food joint, the obese man in the electric wheel chair and the mega-mall surrounded by a vast parking lot in the background.)

banner The Present America?

This panel is the header for the KunstlerCast podcast Kunstler does each week with host Duncan Crary.  Duncan and Jim talk about Crumb on KunstlerCast 11: Picturing Suburbia.

(Post updated March 29., 2010)

 The Present America?
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R. Crumb: A Short History of America

First in a three post series,(Parts 2 and 3)

Robert Crumb is an artist and illustrator recognized for the distinctive style of his drawings and his critical, satirical, subversive view of the American mainstream.  While he is perhaps best known for his ‘Keep on Truckin’” and Fritz the Cats’ cartoons, his ‘Short History of America’ series is an urbanist classic.

Arguably his most timeless image, this series shows the gradual metamorphosis of a single plot of land from virgin wilderness to urban decay in 12 panels. It first appeared in black & white in 1979 in the ecological magazine Co-Evolutionary Quarterly and in Snoid Comics. It was rearranged and colored by Peter Poplaski in 1981 and quickly became Kitchen Sink Press’ best-selling poster.

crumbpart11 R. Crumb: A Short History of America

Panels 1-6 of "A Short History of America," by Robert Crumb

crumb partii1 R. Crumb: A Short History of America

Panels 7-12 of "A Short History of America," by Robert Crumb

A poster version of the series can be purchased here.

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My November ‘Tweet Cloud’

A few weeks ago, I posted a tag cloud based on the Twitter lists that are following me.  This provided me with a useful pool of information about how other Twitter users perceive me.  A slightly different Twitter tool is Tweetcloud.  Tweetcloud creates a cloud of the words that appear most often in my tweets over the past 30 days. Thus unlike, the previous tags, I am in 100% control over this cloud. Nevertheless, when you post dozens of tweets in a day, as I do, the sum of your tweets over a month can surprise you:

Again Phoenix features prominently in this cloud, but urban is nowhere to be found.  This indicates that I will need to make a more conscious effort to post about urban issues and events, if i want to make headway in my quest to position myself as an ‘urbanist.’

To keep tabs on my personal branding, I will create a tweet cloud of my most common words on a monthly basis, as well as revisit the Twitter list cloud from time to time. Stay tuned.

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